Giorgio A. Armanis is one of the world’s most renowned designer and the most well-known name in modern Italian typefaces.
In the past, his designs were used by designers in the likes of the British designer Christopher Scott, and by designers of the Italian design house RCA, among others.
His work has become an icon of modern Italian style.
However, over the past few years, Armanís design style has been heavily criticized by some.
Today, the designer is no longer able to use Giorgias typeface as a standard.
The latest criticism is that Armanīs new typeface will look as if it were made by a child.
The typeface is a “little girl”, according to some critics.
The New York Times, for instance, reported that the new type is not a typeface but an “alternative” to the Italian letterforms of Giorgi Arman.
Giori Armanissi is not the first Italian designer to receive criticism over the typeface.
Earlier this year, a German-born designer named Markus Schreiber called Gioria Armaninetti “a child of a girl”.
According to a report by German newspaper Der Spiegel, Armans typeface was criticised for its “overly simple and flat appearance”.
The Times of London said the typefaces new design is “a big deal” and that “it will bring to life the essence of Gio” (Giorgios name).
However, some Italian designers are calling for a change of the name.
The Italian Association of Graphic Designers (ADGI) has been campaigning for a new name for Armanian typeface in recent years.
The group said it wants to replace the “little boy” typeface with a more mature design.
A new type will be made by “one of the most mature graphic designers in Italy”, ADGI said in a statement.
The ADGI has also asked the Italian Ministry of Justice to reconsider the decision to use the name “Armanis” because of concerns that it could cause offence.
The decision has caused a stir in Italy, as Armanisi’s typeface has been used on more than 60% of Italian typeface applications, according to the German news agency dpa.
It is a common practice for designers to make the type on a child-sized or child-instrument typeface to avoid offending the audience.
In its statement, the ADGI wrote: “The new type, as it is, is an alternative for Giora Armanises typeface and a child, because the use of the child is an abuse of the type.
In a world where the child and his instruments are being used, the type is a child of his work and a type with a child in its design, and the use is inappropriate.”