When America’s top military brass are in their golden years, it’s time to stop paying for it

Washington (CNN) The top military officials at the Pentagon and the State Department are among those who are in a golden age, with their salaries rising and their retirement funds at record levels, according to a new report.

The report, released Wednesday, found that in 2015, military chiefs were paid a median annual salary of $1.2 million and $1 million per year.

The average top military officer was paid $3.8 million, according the report.

That’s up from $2.3 million in 2014 and $2 million in 2013.

The military leaders who make up the highest-ranking brass are among the most highly paid, with an average of $3 million annually.

The highest-paid officer was at the top of the military, where the median top brass salary was $3,715,000.

The top 10 highest-earning military leaders in 2015 included Air Force Gen. John Hyten, who is the highest paid at $3 billion, and Navy Secretary Ray Mabus, who was paid a reported $2 billion in 2015.

At the bottom of the list, Army Gen. Mark Milley earned a reported base salary of just $1,000 per month.

At a time when the Pentagon is in financial turmoil, the report found that at least three top military leaders — including Gen. Joseph Dunford, commander of the Joint Chiefs of Staff — were able to retire on time.

What you need to know about a lawsuit alleging a federal election fraud scheme against the Trump campaign

The Justice Department filed a lawsuit against the Democratic National Committee and its political action committee last week over alleged election fraud at the 2016 presidential election, which Democrats are challenging as part of an effort to determine whether Russia hacked the election and interfered in the election.

The suit claims the Democratic Party and the committee conspired to “infiltrate” the 2016 election by obtaining thousands of stolen emails from the Democratic Congressional Campaign Committee, a Democratic presidential campaign committee and the Democratic nominee, as well as other individuals.

The Justice Department alleges the defendants engaged in a scheme to “coordinate the publication of stolen DNC emails through WikiLeaks, a publication platform controlled by Julian Assange, the founder of WikiLeaks and a co-founder of WikiLeaks, in order to disseminate the stolen emails through an anonymous Twitter account, known as DCLeaks.”

The complaint also accuses the defendants of publishing hacked emails on the social media platform and distributing them in a manner that “will likely lead to the unauthorized publication of additional DNC emails, including emails from Hillary Clinton.”

The lawsuit is the second by the Justice Department against the party in the past week.

The Justice Dept. also sued the DNC over a series of hacking and other hacking allegations on Tuesday, claiming the Democratic party hacked the email accounts of a number of political leaders, including former Vice President Joe Biden and former Speaker of the House Nancy Pelosi, and was also responsible for the release of a series a hacked emails.

In a statement on Wednesday, the DNC said it was cooperating with the Justice Dept., and said that it is “committed to the highest standards of transparency and accountability.”

In a recent interview with ABC News, DNC Chairwoman Donna Brazile said there were no credible reports of voter fraud and that the election was “rigged.”

Why are some people happy and others sad? typeface study finds many typefaces are happy and some types are sad

A new study suggests typefaces with a happy face are often associated with a happier personality, while others can have a negative effect on a person’s sense of self.

Key points:The study found some types can be happier than othersThe researchers used an automated typeface generator to create a list of popular fonts for a range of different typesThe results showed that people with positive attitudes toward typefaces tended to prefer them more oftenThe study also found that happiness was linked to typefaces that were happy or positive, but this wasn’t true for negative types.

“There is a great deal of variation in the typeface preferences and preferences for happiness,” Dr Peter Staley, a professor of humanistic design at the University of New South Wales, said.

“The main findings are that some types, like a happy typeface and a sad typeface or a neutral typeface can have very different meanings.”

A happy type is associated with feeling happy.

A sad type is a lot more negative, and it’s associated with negative emotions.

“Dr Staley said while people tend to prefer happy types to sad types, they also tend to associate positive emotions with a particular type.”

We think of happiness as a positive experience, and we tend to find people happy with happy types, and people sad with sad types,” he said.

The study, published in the journal Psychological Science, asked people to complete a questionnaire about their overall attitudes toward a range and a range in terms of types, with neutral or happy and negative being included.

It found that those who preferred a neutral or positive typeface tended to rate them as more happy than neutral or negative types, while those who chose a negative or negative typeface were more likely to rate it as more unhappy.

The researchers also asked people if they had ever used a typeface they thought was neutral or neutral.”

This was really useful in understanding what typeface people like and dislike and whether or not they prefer certain types,” Dr Staley told ABC News.”

People tend to like certain types of fonts and they like certain fonts for the same reasons they like particular books or music or movies.

“He said the research also showed that happiness is linked to a certain typeface being associated with happiness.”

As you get more positive, happier people like typefaces, whereas they tend to dislike them, and they also like a certain kind of typeface,” Dr Fraser said.

It was also found happiness was associated with the use of a particular font, but that people who preferred the neutral or friendly typeface did not tend to use that typeface in a daily basis.”

That is the kind of thing that I find interesting, that people really don’t tend to take their typeface on a daily occasion and just use it, like I have,” Dr Blum said.

While positive and negative emotions are not universal, they do seem to exist in some people.”

It seems like there are a lot of types of happiness,” he told ABC Radio.

Dr Blum and Dr Frasers studies also showed a relationship between personality traits and typefaces.”

If you have a good typeface that is associated in your personality with happiness, then you are more likely not to use a negative type that is not associated with sadness, or a negative style,” Dr Brum said in an interview.

Topics:faces-and-faces,human-interest,psychology,arts-and.culture,social-sciences,melbourne-3000

What is a Knockout type face?

A typeface designed for the modern world, the knockout type is a style used in various media including film and TV, books and magazines.

It is a distinctive and versatile typeface that is used in all sorts of contexts from books and journals to signage, signage and posters, and even in advertisements.

Knockout types are not used as standard typefaces, and are used for the purpose of communicating a certain message, and not just for the sake of creating a simple typeface.

They also are not designed to look good, they are designed to make a reader feel like they are in a different place.

A knockout font is a typeface with a minimal number of glyphs.

It is typically one or more letter sets that form a single character that looks different from other characters in the same font.

In other words, a letter set is a glyphs that are arranged in a sequence that is visually distinct from other glyphs, as opposed to the usual alphabetical order.

The main reason for the design of a knockout is because the design takes up less space than other fonts, which reduces the need for a larger font, as well as the cost of maintaining it.

A font should look natural, but not overly so.

A knockout fonts is designed to be simple and yet powerful, with its subtlety and elegance making it difficult for people to miss.

A type designer must work to avoid making the font look too simple.

In order to create a knockouts font, the designer must first design a letterset that is unique to the typeface they are using.

This letterset must be unique to each typeface or family, so the design will not look the same across fonts.

This can also be a challenge for designers because it takes time to work out which letters to use, and which to omit.

A letterset design is important because it helps the designer avoid making an awkward typeface look like it is used everywhere else.

The design of the letterset can also help create a more consistent font, because the letter set should not be too similar to other letters in the font, and should be used in places where it will stand out more.

A typeface should not look too similar, or too different.

It should be a different font that the reader can recognise as its own, not just a copy of other fonts.

A good example of a type designer not using a knock outs letterset is the famous calligraphy font Knickerbocker, designed by a type expert in the UK.

Knickerbockers letters have been designed to have a slight variation in their spacing, as they are intended to stand out from other letters.

The letterset used by Knickerbs is very different from a normal letterset, so it can be hard to tell if a given letter is from another typeface without looking at the letters themselves.

The result of these two types of lettersets is Knickerbys subtle yet powerful letterforms.

A typical knockout letterset.

A very typical knockouts letterset with some slight variations.

A good example, with some variation in the spacing.

A subtle variation in spacing.

How a type design can help your bookstands stand outA knockouts typeface is not just another font, it is an essential part of any typeface design, and can help it stand out to readers, and make it stand more out in the crowd.

Knockouts lettersets can be designed to take up less screen space than traditional lettersets, and be designed with a different approach to the design process.

The design of Knockouts typefaces is a very individual process, but it is important that the designer is working closely with the type designer to create an effective design.

This process involves a lot of trial and error and careful consideration.

If the designer can do this well, and is confident they have a good idea of what they want their typeface to look like, then it can give them a much better chance of producing a knock out typeface than with traditional letterpress typefaces.

If you are looking for a typefaces knockouts, check out the list of styles available from Antiga, which includes Knockout, Antiga 2, Knockout 2 and Knickerboom.